White Wall
White Wall
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Concept of White Void Hollywood
To understand why white void Hollywood studios are so appealing to contemporary motion picture makers, let us first see how they employ it in their productions. The white void Hollywood cyc wall is simply a featureless expanse of white. The studios simply erect a broad wall that's absolutely featureless. The room is then painted in a pure white color. Once this is done, it gives the illusion the subjects ( actors ) are seen as standing in an empty white space.
The room is so featureless that it might be impossible to tell from any photos or footage taken with the cyc in the background that there are any walls at all . You can't see the walls, the floors, the ceiling, or any other appearance of space and dimension. The actors seem to be hanging in nothingness. A great white void Hollywood studio mixes all the walls, the floor and the ceiling into one continuing space in such a way that the dimensions of space are lost when filmed or snapped.
This is the reason why the white void Hollywood studio room is known as a white cyc, as it is indeed a void. It lacks any idea of dimension and placement when shot in a film. Why would a director prefer to shoot a scene in a white void Hollywood studio? What is the intention of loosing the dimensions of setting? The white cyc studio comes in hardy when the director wants to realize the film effects debated in the following paragraphs. There are occasions when the director will wish to express a transition from one realm to another such as when going from a dream to fact. The dream is digitally implemented of the white screen, and when that dream is over, the stage can then shift back from the white wall. This is one of the greatest methods of expressing dreams rather than shooting in a monochrome mode.
In a similar fashion, a director may need to push the plot with a flashback scene. That implies she has to craft a technique of removing the viewer from their present time and space to a past event as imagined by the actor. The only way to shift the viewer is by removing the ordinary misce-en-scene and carrying the viewer thru the white cyc where the flashback is acted out ( past ) and back again to the normal misce-en-scene ( present ). It works superbly and no spectator will be perplexed about the plot's back and forth movement.
Another great example we can highlight in the use of white void Hollywood studios is the 'imprisonment settings' in film making circles. Imprisonment settings are the settings in which a director may want to shoot an interrogation, or a subject in any sort of detained environment ( prison, mental institution, etc ). This is easily achieved with the white cyc studios since the white void has no exits, no windows and no definition of dimensions so freedom is seen as absent.
White Wall - Official Trailer


US $199.99
























